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BREENBERGH, Bartholomeus Joseph Selling Wheat to the People dsf oil painting


Joseph Selling Wheat to the People dsf
Painting ID::  5362
BREENBERGH, Bartholomeus
Joseph Selling Wheat to the People dsf
1655 Oil on canvas, 110,5 x 90 cm Barber Institute of Fine Arts, Birmingham

   
   
     

BREENBERGH, Bartholomeus The Preaching of St John the Baptist oil painting


The Preaching of St John the Baptist
Painting ID::  5363
BREENBERGH, Bartholomeus
The Preaching of St John the Baptist
1634 Oil on canvas Metropolitan Museum of Art, New York

   
   
     

BREENBERGH, Bartholomeus Ruins of the City Walls, near Porta S Paolo, Rome dsf oil painting


Ruins of the City Walls, near Porta S Paolo, Rome dsf
Painting ID::  5364
BREENBERGH, Bartholomeus
Ruins of the City Walls, near Porta S Paolo, Rome dsf
1625-27 Brush and wash drawing Christ Church Picture Gallery, Oxford

   
   
     

BREENBERGH, Bartholomeus The Prophet Elijah and the Widow of Zarephath oil painting


The Prophet Elijah and the Widow of Zarephath
Painting ID::  29113
BREENBERGH, Bartholomeus
The Prophet Elijah and the Widow of Zarephath
mk65 Oil on panel 27x36'

   
   
     

BREENBERGH, Bartholomeus The Finding of Moses oil painting


The Finding of Moses
Painting ID::  52612
BREENBERGH, Bartholomeus
The Finding of Moses
1639 Oil on panel, 48 x 81 cm

   
   
     

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     BREENBERGH, Bartholomeus
     Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.

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